We’re thrilled to partner with the Nantucket Historical Association to present a lecture on The Life and Work of Addison Mizner with author Richard René Silvin. Join us Thursday, August 23 at 6:00 PM at the Nantucket Whaling Museum to learn more about the noted (and elusive) society architect of Palm Beach, Addison Mizner. Tickets available here.
Addison Mizner (1872-1933) spent his early life in Spain and Central America. His father was US minister to Guatemala, and young Mizner was heavily influenced by Spanish culture and heritage. He spent ten years as an apprentice before unleashing his talent on the architecture scene. Mizer’s first major commission was the Everglades Club, one of the world’s most exclusive golf clubs. Mizner went on to design many buildings in the Palm Beach area and was a driving force in the development of the city of Boca Raton.
Richard René Silvin’s fascinating life has taken him all over the world. Born in New York, he grew up attending Swiss boarding schools. He earned a BA from Georgetown University and an MBA from Cornell University, after which he spent 25 years in the investor owned hospital industry. He was the head of the International Division of American Medical International, Inc. which owned and operated hospitals in ten countries.
Silvin survived a late-stage cancer and retired from his role at American Medical International, only to begin an exciting second career as an author. Silvan has published five books, including a memoir about his friendship with the late Duchess of Windsor and a history of Palm Beach as seen through the eyes of Mizner. His latest work is about the SS Normandie, the French Lien’s magnificent 1930’s flagship.
Silvin has lectured widely on hospital administration and comparative international care systems. He is currently the vice-chairman of the Palm Beach Landmarks Preservation Commission.
This is the last in our short series highlighting the homes and buildings that inspired a few Nantucket writers. What part of Nantucket inspires you?
5 Quaise Pastures Road: Frank Conroy
Award winning author and director of the Iowa Writer’s Workshop, Frank Conroy lived on Nantucket on and off from 1973 to 2004. Conroy died in 2005, but left behind a beautiful book of essays on his island life, Time and Tide.
Conroy came to Nantucket in 1955 as a college student, living in shared housing arrangements in very much the same way students today do (and one imagines, always will). His acclaimed memoir, Stop-Time was published in 1967.
Conroy moved to Nantucket in the 1970s, where he wrote magazine articles, played jazz piano, and worked as a scalloper. He taught writing at many colleges and universities, served as the director of the literature program at the National Endowment for the Arts, and was appointed director of the Iowa Writer’s Workshop in 1987.
Conroy’s Nantucket home was unique. Architect Jock Gifford (now of Design Associates) completed construction on Conroy’s Polpis barn-style home in 1973. Set back on a secluded parcel of land overlooking Polpis Harbor, it was the perfect spot for a writer and musician.
The outside oak lumber for Conroy’s barn came from a Pennsylvania sawmill, and the inside exposed chestnut beams were taken from a 160-year-old tobacco barn in PA. When the Inquirer & Mirror visited Conroy at home in 1974, he kept a photograph of friend and fellow author Norman Mailer hanging from one of the antique beams.
The Conroy house was sold in 2012. It has since been demolished.
92 Hulbert Ave “The Bug-Lights”: Ernestine Gilbreth Carey & Frank B. Gilbreth, Jr.
The twin lighthouses that dot the extension of Hulbert Ave are officially called the Nantucket Cliff Beacons but more often called the bug-lights (1838). These structures were the unlikely summer home of industrial engineers and efficiency experts Frank B. Gilbreth, Sr., Dr. Lillian M. Gilbreth, and their 12 children.
Originally located on Cliff Beach, the lights worked in conjunction with the range lights on Brant Point and buoys to guide vessels into the channel. The bug lights were decommissioned in 1908.
The Gilbreths purchased the property with the keeper’s toolhouse and the smaller light in 1921. By 1952, the keeper’s toolhouse was replaced with a larger cottage. The larger light tower was moved (by horse!) to the Gilbreth property. The towers were converted to dormitories for the many Gilbreth children.
Frank Jr. and Ernestine wrote two books together chronicling their unique family, Cheaper by the Dozen and Belles on Their Toes. Frank Jr. authored other books inspired by his life on the island, including Innside Nantucket and Of Whales and Women. Ernestine wrote Jumping Jupiter and Rings Around Us.
In 1991, Frank Jr. wrote “We have lovingly preserved [the bug lights], but I can’t overstress how well the structures were built and how amazingly sound they are today. In the seventy years we’ve had them, not a single shingle has needed to be replaced on the sides of either structure.” The bug lights and cottage are still in the Gilbreth family today.
In honor of Preservation Month & the upcoming Nantucket Book Festival, this week we’re taking a look at some of the architecture of Nantucket’s literary history. Our short series continues…
7 Silver Street: John Guare
From 1975 to 1978, 7 Silver Street (ca. 1830s) was the home of playwright and author John Guare. Guare wrote Landscape of the Body and Marco Polo Sings a Solo during the years he owned 7 Silver Street.
The 1970s saw a bustling theatrical scene on the island, with many of Guare’s plays performed at the island’s local stages. Guare’s time on the island informed his “Nantucket” series of plays: Gardenia, Lydie Breeze, Women in the Water, and Judith.
Guare met his wife Adele Chatfield-Taylor, an architectural preservationist, in 1975 on Nantucket.
Guare came to Nantucket in the 1960s while a student at Yale Drama School, as a caretaker for C.L and Marion Sibley at 111 Main Street (1746). He returned to the island throughout the 1980s to work on his plays.
Nantucket has been home to many novelists, poets, playwrights, and lovers of words over the years. It’s currently the year-round home to (at least) three New York Times bestselling writers, and the summer home of countless others.
This month, we honor Nantucket’s literary history through buildings where great writers found inspiration.
31 Pine Street: Tennessee Williams & Carson McCullers
“It was a crazy but creative summer.” –Tennessee Williams
How did two of the 20th century’s greatest southern writers find themselves 30 miles of the coast of New England?
In June of 1946, Tennessee Williams rented a house on the island for the summer. “I seldom remember addresses, but this was 31 Pine Street in Nantucket, an old gray frame house with a wind-up Victrola and some fabulous old records, like Santiago Waltz and Sousa band numbers,” he said in an interview with Rex Reed.
The Glass Menagerie was on Broadway, but Williams and his partner Pancho Rodriguez were looking to get out of New York. Williams had long admired Carson McCullers—he called her the greatest living writer—and wanted to meet her.
Williams was in poor health when he wrote a characteristically dramatic letter to McCullers, declaring that he had gone to Nantucket to die, and he’d like to meet her before his death. The two had never met before, but McCullers took him up on his offer and arrived on the boat.
“This tall girl came down the gangplank wearing a baseball cap and slacks. She had a radiant, snaggletoothed grin and there was an immediate attachment,” Williams said.
The two writers found inspiration at 31 Pine (ca. 1850). Williams recalled “…The fireplace was always filled with beautiful hydrangeas, and we sat at opposite ends of a long table while I wrote Summer and Smoke and she wrote The Member of a Wedding as a play.”
Williams and McCuller’s time in Nantucket has inspired two contemporary plays, 31 Pine Street and Rancho Pancho.
We’re thrilled to add another house to our 2018 Nantucket Preservation Symposium. The Levi Starbuck house at 14 Orange Street (built 1837) was home to whale oil merchant Levi Starbuck and is an iconic example of a grand Nantucket home. Built by William M. Andrews, 14 Orange Street is one of the earliest examples of Greek Revival architecture on Nantucket.
Andrews was only 26 years old when he completed 14 Orange Street, after completing another house with Greek Revival features at 22 Hussey Street. Andrews may also have built 24 Hussey and 8 Orange Street.
Levi Starbuck purchased the Andrews house in 1838, by which point the 69-year-old was already a successful businessman. He was a member of one of the most prominent whaling and merchant families on the island. He spent the last ten years of his life in the opulent new house on Orange Street.
Over the years, owners of the house have been thoughtful stewards and additions and upgrades have been sensitive, keeping at the forefront the home’s historic interior.
Join us on June 7th for a look at this gorgeous Greek Revival home and step back in time.
Need some inspiration for your Daffodil Festival tailgate picnic next week? You’re in luck! We’ve recently received a collection of vintage recipe cards, books, and clippings from the early 1900s to the mid-1940s.
America’s relationship to food changed drastically during those 40 years. By the end of the 1930s, many homes had replaced ice boxes with modern refrigerators, ushering in a new era of “cooking with cool,” even on the faraway island. Gelatin and mayonnaise factor heavily into these recipes, creating savory or sweet salads for all occasions.
Early refrigerators were smaller than the ones we have in our homes today (8.6 cubic feet of space for food compared to 18 to 26 cubic feet today). The design of refrigerators has changed. Once the centerpiece of the kitchen and a point of pride, today many favor appliances that blend in with their kitchen surroundings. Still, there are those who like the look of the retro “futuristic” appliances that hearken back to a time when refrigeration was a modern marvel.
While you’re planning your ‘Sconset tailgate picnic, take a look at some of our vintage recipe finds.
On Nantucket, we think about transportation more than most. Will the boats run in this wind, or will they be canceled? Will the planes fly in this fog, or will they be grounded? Will I find a parking space downtown? Transportation shapes the places we live, and the types of buildings we construct.
Nantucket banned automobiles on town roads until April of 1918. Within 10 days of the repeal, 24 cars had made their way to Nantucket, and an auto dealership set up shop. The abundance of automobiles that followed allowed people to live further from the town center and the village of ‘Sconset.
“Along with the promise of profits for investors, it was the distance to the south shore and eastern beaches and the cottages of Siasconset that drove the efforts to establish a railroad, even on such a tiny island.”
-Peter Schmid, Historic Nantucket, Summer 2000
Before cars, Nantucket had a railroad that ran from 1881 to 1917. The railroad had a great impact on the way Nantucket was developed by land companies. Perhaps the best illustration of this impact is the story of the Surfside Hotel.
When the railroad tracks first took the train to Surfside. By 1884, the train followed the south shore to ‘Sconset. With it’s ocean breezes, tranquil surroundings, and views that stretched on for miles, Surfside soon became a resort destination. All it needed was a grand hotel. Lysander Flagg, a developer in Riverside, Rhode Island, had such property built in 1871—the Riverside Hotel. By 1882, the Riverside Hotel had been disassembled and transported on a barge to Nantucket. It took 34 carloads to transport the lumber to the hotel’s new site.
From 1882 to 1884, the hotel was reassembled with a name that reflected its new location: The Surfside Hotel. This five-story grand hotel had a piazza and frequent band concerts. During the same time, the Surfside Land Company subdivided most of the area between what is now Surfside Road and the Boulevard. By the end of 1882, 180 individual lots had been sold.
Unfortunately, Surfside really does live up to its name. Winter brought unrelenting storms and pounding surf, contributing to erosion and washouts that eventually forced the railroad company to close the Surfside and south shore section of tract by 1895.
A new overland route to the rose covered cottages was constructed, running from Old South & Fairgrounds Road to Tom Nevers to ‘Sconset. With no automobiles allowed on Nantucket town roads, and no railroad to Surfside, the Surfside Hotel was essentially an island unto itself. In 1895, the back steps of the hotel were 265 feet from the bank. Nantucket’s south shore was losing an estimated 40 feet per year of beach at that time.
The Surfside Land Company sold out the remaining 900 acres of land, at a loss, for $2.80 an acre. The many paper roads in Surfside are the result of the many subdivisions of land by the failed enterprise. In 1896, the hotel sold at auction for $650 to Mrs. Mary McClure of Boston. During much of 1897 and 1898, the hotel was advertised for sale in the Inquirer and Mirror.
Just as the rails could not compete with the receding coastline, the vacant Surfside Hotel was no match for Nantucket’s winter storms. In December of 1899, part of the hotel collapsed in on itself.The abandoned and dilapidated hotel was now seen as a folly at best, a danger at worst.
“The latest evidence of wanton destruction is at Surfside Hotel, which has been entered and the crockery hurled through the sash, gas fixtures broken off, clocks demolished, and other things destroyed in wholesale manner. The isolation of the building, and its easy access has given the evil-doers grand opportunity to operate undetected.”
-Inquirer and Mirrror, Here and There, March 17, 1900.
The property sold in 1901 for $90 at a tax collector’s sale to John H. Bartlett and Wallace Gardner. The Inquirer and Mirror jabbed in August of that year: “The Surfside Hotel is not open—except one end, very much so.”
Believe it or not, Spring is here. Well, at least according to the calendar. There are signs of life all over, and lots of work being done to get ready for the season. (I heard the peepers for the first time last night!) The quiet season is almost over.
In the 1800s, downtown Nantucket would have been anything but quiet, even in winter. The waterfront bustled with whaling and merchant ships, but other parts of town saw different industries, both of which relied on the labor of island women.
10-12 Gay Street: Atlantic Silk Company
Down a narrow side street off Petticoat Row (modern day Centre Street) sat the Atlantic Silk Company. From 1835 to 1844, 10-12 Gay Street produced woven silk products like silk vesting and handkerchiefs. Many women were employed in the production of silks, and the factory held the second power silk loom ever put into operation in the world.
Silk was a deliberate choice, as the material was preferred by Quakers to cotton that was picked and processed by enslaved people. However, the mulberry trees planted to feed the silk worms did not flourish in Nantucket’s wet and cool climate.
After the factory shuttered, the building was converted into a duplex. The 10 Gay Street side has been used as a lodging house and inn since 1870 and is today the Sherburne Inn.
76 Main Street & 17 South Water Street: Nantucket Straw Loan Association
Nantucket women also worked in the production of straw hats and mats from 1854 to 1858. At its height, the plant employed between 200 and 300 Nantucket women. The island’s rapid economic decline at the end of the whaling industry contributed to the shuttering of the factory.
The straw company’s first location was present-day 76 Main Street. The building was originally Hicksite Quaker Meeting House, built in 1829. Hicksite Quakers were the most liberal members of the sect, and by 1840 disbanded as most had become Universalists.
The building was home to a boatbuilder until the straw factory purchased it in 1853. After the straw company moved out, it became a warehouse. It was moved to Brant Point in the early 1880s and became part of The Nantucket Hotel. When the hotel went into decline, the structure was put on a barge and moved across the harbor to what is now 17 South Water Street, where it became a silent movie house.
Today, 17 South Water Street is home to the re-built Dreamland Theatre.
The grand Greek Revival building on the corner of India and Federal Streets is the Nantucket Atheneum, the island’s library. It has been home to a cadre of exceptional women, and a place where women’s voices have always been heard.
Originally constructed in 1825 as the First Universalist Church, the building was purchased by Charles Coffin and David Joy in 1834, creating a membership library. Maria Mitchell became the Atheneum’s first librarian at age 18, eventually leaving the library to become the first Professor of Astronomy at Vassar College.
In July of 1846, the Atheneum was one of hundreds of buildings in the downtown core destroyed by the Great Fire. Astoundingly, funds were raised to rebuild, securing one of the island’s preeminent architects, Frederick Brown Coleman, by October of the same year. Coleman’s design moved the lecture hall to the second floor and books to the first floor. Charles Wood, the builder, saw to it that the project was completed within six months of the fire.
Coleman designed other Greek Revival structures in town, including 94 and 96 Main, the interior of the Unitarian Church on 11 Orange Street, and the Ionic temple of the Methodist Church at 2 Centre Street.
The Great Hall allowed islanders to hear important speakers of the day, like women’s rights advocates Lucretia Mott in 1854 and Lucy Stone in 1886.
Librarian Sarah Barnard served the Atheneum for 50 years, from 1856 to 1906. Clara Parker also served a 50-year tenure until 1956. Both women advanced the library by embracing new technologies like typewriters, card catalogs, and telephones.
In 1955, the library was restored and remodeled. The second-floor Great Hall became a reading room. A new wing of the library, named for Starr Kynett, was added in the 1965, housing a reading room and space for a microfilm reader. Thirty years later, the Atheneum underwent another major restoration, preserving the building’s historic integrity while allowing for modern upgrades in technology. Most recently, in 1996, a children’s wing of the library was added, named for Louise Frances Walker.
Modern technology means we are now more connected to the mainland than ever, but the Nantucket Atheneum remains a critical part of the island’s cultural and intellectual landscape. Because of the stewardship of the Atheneum’s librarians, including present-day librarian Molly Anderson, and trustees, it remains a fine example of the island’s architectural heritage.